Straight from the tree #1
Branch, spirit level. Works made at the Lavangsnes Wunderkammer Artist in Residence program.
The Sum of All Things
Branch, spirit level. Works made at the Lavangsnes Wunderkammer Artist in Residence program.
Permanent work at the sculpture landscape of Lavangsnes Wunderkammer in Norway.
6 spades covert in dust made from different rocks found at the shore line in the local fjords.
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Three square meters of wall, removed plaster, pencil, white paint.
Continue Reading →Railing, cabinet, clock, tape measurers, pluche mouse
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(skins of Den Bosch)
Found posters, oil paint on canvas
155×175 cm
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(skins of Den Bosch)
posters, spray paint, acrylic paint
120×134 cm
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(skins of Den Bosch)
Metal sheet, found posters, oil paint, acrylic paint, spray paint
108x77cm
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(conspiracy everywhere)
posters, spray paint, acrylic paint
100×70 cm x 4
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My second solo show at the Frank Taal Gallery. This show was curated by free-lance curator Maria Tanbourgi. The show evolved around the idea of following and leaving traces and the influence of time.
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Found medical archive of the closed down Zitza factory in Zeitz, put in an old cupboard, 2100 hand-made paper sheets made from part of the found medical files, 45 binder mechanisms, a found role of decayed paper and a built-in shelf.
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Mixed media (lackered MDF, compressed garbage from the artist and his friends), 20x20x40cm x 3
Mixed media (garbage, lackered MDF)
205×18,5×18,5 cm,131×18,5×18,5 cm, 75×18,5×18,5 cm, 57×18,5×18,5 cm, 37×18,5×18,5 cm
A room filling installation of 225 cubes of compressed garbage. Continue Reading →
‘From scratch’ is a solo show and the first show to be shown in a new art space in Berlin called In the Rackroom. The show is the follow up on my show ‘Sweet nothing’ earlier this year at the Frank Taal Gallery in Rotterdam.
Review on my show at Blitzkunst. For full article click here.
“Kunst ist immer abhängig vom Raum, in dem sie gezeigt wird. Mit der Installation eines Werkes steht man vor der Herausforderung, die Gegebenheiten des Raumes zu nutzen und sich gleichzeitig dagegen zu behaupten. Ten Bosch hat diese beiden Notwendigkeiten zu einer Einheit verbunden und überlässt dem Betrachterauge die Entscheidung über die Gewichtung zwischen Kunst und Raum.” – Annika von Taube at Blitzkunst.wordpress.de
(photo: Annika von Taube)
Solo show at Frank Taal Gallery in Rotterdam, 2017. Sweet nothing is a show that challenges the viewer to a closer look and to form an opinion on that what they see.
photo’s Aad Hoogendoorn
When the Mona Lisa was stolen from the Louvre in 1911, the museum received more visitors then ever before. The same thing happened when ‘The Scream’ was stolen from the National Gallery in Oslo in 1994. The people lined up in front of the empty space that the painting had left behind. Continue Reading →
A series of small frames, each containing a little work made out of tape, paper and paint. The works have a feel of leather over them as if they were skins of an animal that is not there any more. Continue Reading →
Modern thoughts, broken dreams is a reflection on the relation between the artist and the white wall of the art institutes. Continue Reading →
These works are follow ups of two works from two works that I made in 2014. The works are made with material taken from Witte de With in Rotterdam during the building up of the show of AA Bronson.
Traces of labour is a work first presented at Double Standard, a show at Lage Egal together with Ivan Liovik Ebel. The work consists of an edition of 15 t-shirts. The t-shirts have all exactly the same stains that look like stains from paining a wall white.
I am pleased to present my first solo show at Galerie Gilla Lörcher in Berlin under the name Cool Calm Collected. The show presents works made during my first two years in Berlin.
The show is on display from March 19 – April 22 2016, Pohlstraße 73 , 10785 Berlin.