Silent Green (skins of Berlin)
Found poster, oil paint on canvas.
100×70 cm
Ties Ten Bosch
The Sum of All Things
A site specific work made during If Paradise Is Half As Nice #10 in Rotterdam. (photo’s Aad Hoogendoorn)
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6 Screens of wood and screen mesh, paper made out of found paper coffee cups, brass nameplate.
1115 x 230 x 7 cm per screen
Carpet, ceramic cubes, ceramic soda can, grey wall.
Size variable.
My second solo show at the Frank Taal Gallery. This show was curated by free-lance curator Maria Tanbourgi. The show evolved around the idea of following and leaving traces and the influence of time.
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Found medical archive of the closed down Zitza factory in Zeitz, put in an old cupboard, 2100 hand-made paper sheets made from part of the found medical files, 45 binder mechanisms, a found role of decayed paper and a built-in shelf.
Continue Reading →A short video portrait of me working on my project at IPIHAN#8 in 2018 in an abandoned warehouse in Altenburg.
Mixed media (lackered MDF, compressed garbage from the artist and his friends), 20x20x40cm x 3
Mixed media (garbage, lackered MDF)
205×18,5×18,5 cm,131×18,5×18,5 cm, 75×18,5×18,5 cm, 57×18,5×18,5 cm, 37×18,5×18,5 cm
A room filling installation of 225 cubes of compressed garbage. Continue Reading →
A site specifice work at ZQM, Berlin. A 50 cm high stripe sanded all around the room, completed with several white panels.
‘From scratch’ is a solo show and the first show to be shown in a new art space in Berlin called In the Rackroom. The show is the follow up on my show ‘Sweet nothing’ earlier this year at the Frank Taal Gallery in Rotterdam.
Review on my show at Blitzkunst. For full article click here.
“Kunst ist immer abhängig vom Raum, in dem sie gezeigt wird. Mit der Installation eines Werkes steht man vor der Herausforderung, die Gegebenheiten des Raumes zu nutzen und sich gleichzeitig dagegen zu behaupten. Ten Bosch hat diese beiden Notwendigkeiten zu einer Einheit verbunden und überlässt dem Betrachterauge die Entscheidung über die Gewichtung zwischen Kunst und Raum.” – Annika von Taube at Blitzkunst.wordpress.de
(photo: Annika von Taube)
Solo show at Frank Taal Gallery in Rotterdam, 2017. Sweet nothing is a show that challenges the viewer to a closer look and to form an opinion on that what they see.
photo’s Aad Hoogendoorn
When the Mona Lisa was stolen from the Louvre in 1911, the museum received more visitors then ever before. The same thing happened when ‘The Scream’ was stolen from the National Gallery in Oslo in 1994. The people lined up in front of the empty space that the painting had left behind. Continue Reading →
A series of small frames, each containing a little work made out of tape, paper and paint. The works have a feel of leather over them as if they were skins of an animal that is not there any more. Continue Reading →
Modern thoughts, broken dreams is a reflection on the relation between the artist and the white wall of the art institutes. Continue Reading →
These works are follow ups of two works from two works that I made in 2014. The works are made with material taken from Witte de With in Rotterdam during the building up of the show of AA Bronson.
Traces of labour is a work first presented at Double Standard, a show at Lage Egal together with Ivan Liovik Ebel. The work consists of an edition of 15 t-shirts. The t-shirts have all exactly the same stains that look like stains from paining a wall white.
I am pleased to present my first solo show at Galerie Gilla Lörcher in Berlin under the name Cool Calm Collected. The show presents works made during my first two years in Berlin.
The show is on display from March 19 – April 22 2016, Pohlstraße 73 , 10785 Berlin.
This installation was build specially for the P/Art 2015 in Hamburg. Dimensions 3 x 3 meter, two meters high and inside a small painting made out of the leftovers of the constructionsite. Continue Reading →
A new work in the Remains/Stolen footage series. This time, as a tribute to my friendship with colleague Bram Braam, I used a piece of material that was taken from his studio in Berlin.
Material: wood, frames, paper. Size: 200 x 70 cm Continue Reading →
An installation built at the Lasloods in Vlissingen during the project ‘If paradise is half as nice 4’.
Materials: plasterboard, scrap wood, paint, frame, floor cover. Size: 4 x 4 meter. Continue Reading →
The continuum is a series of work that form the start of a new research. Until now the series exist out of 3 works: ‘A controversial thought in a continuum’, ‘In search for the continuum’ and ‘Swinging in the continuum’.