Means to play
(In dust things meet)
Room filling installation at Kiosk24, Herford.
4 objects, lacquer, ground charcoal, carpet
The Sum of All Things
(In dust things meet)
Room filling installation at Kiosk24, Herford.
4 objects, lacquer, ground charcoal, carpet
Fire extinguisher, condom, condom wrapper. Shown at Baracca, Den Haag, Art The Hague and In The Rackroom, Berlin.
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Bicycle, handsaw, charcoal powder. Shown at In The Rackroom, ran by Lage Egal, Berlin.
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Three square meters of wall, removed plaster, pencil, white paint.
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Four installations pieces consisting of
several objects coated in charcoal.
Sizes variable.
First presentation at IPIHAN #11 in Meuselwitz, Germany, second presentation at Baracca, Den Haag, the Netherlands.
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(conspiracy everywhere)
posters, spray paint, acrylic paint
100×70 cm x 4
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(conspiracy everywhere)
posters, acrylic paint
100×70 cm x 4
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6 Screens of wood and screen mesh, paper made out of found paper coffee cups, brass nameplate.
1115 x 230 x 7 cm per screen
Carpet, ceramic cubes, ceramic soda can, grey wall.
Size variable.
Found medical archive of the closed down Zitza factory in Zeitz, put in an old cupboard, 2100 hand-made paper sheets made from part of the found medical files, 45 binder mechanisms, a found role of decayed paper and a built-in shelf.
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A site specifice work at ZQM, Berlin. A 50 cm high stripe sanded all around the room, completed with several white panels.
‘From scratch’ is a solo show and the first show to be shown in a new art space in Berlin called In the Rackroom. The show is the follow up on my show ‘Sweet nothing’ earlier this year at the Frank Taal Gallery in Rotterdam.
Solo show at Frank Taal Gallery in Rotterdam, 2017. Sweet nothing is a show that challenges the viewer to a closer look and to form an opinion on that what they see.
photo’s Aad Hoogendoorn
When the Mona Lisa was stolen from the Louvre in 1911, the museum received more visitors then ever before. The same thing happened when ‘The Scream’ was stolen from the National Gallery in Oslo in 1994. The people lined up in front of the empty space that the painting had left behind. Continue Reading →
A series of small frames, each containing a little work made out of tape, paper and paint. The works have a feel of leather over them as if they were skins of an animal that is not there any more. Continue Reading →
Modern thoughts, broken dreams is a reflection on the relation between the artist and the white wall of the art institutes. Continue Reading →
These works are follow ups of two works from two works that I made in 2014. The works are made with material taken from Witte de With in Rotterdam during the building up of the show of AA Bronson.
Traces of labour is a work first presented at Double Standard, a show at Lage Egal together with Ivan Liovik Ebel. The work consists of an edition of 15 t-shirts. The t-shirts have all exactly the same stains that look like stains from paining a wall white.
This installation was build specially for the P/Art 2015 in Hamburg. Dimensions 3 x 3 meter, two meters high and inside a small painting made out of the leftovers of the constructionsite. Continue Reading →
A new work in the Remains/Stolen footage series. This time, as a tribute to my friendship with colleague Bram Braam, I used a piece of material that was taken from his studio in Berlin.
Material: wood, frames, paper. Size: 200 x 70 cm Continue Reading →
An installation built at the Lasloods in Vlissingen during the project ‘If paradise is half as nice 4’.
Materials: plasterboard, scrap wood, paint, frame, floor cover. Size: 4 x 4 meter. Continue Reading →
Invited by the organisation of the Ampelhaus in Oranienbaum (Germany) I spent four weeks working at this unique location in the small village close to Dessau. This residency period ended with a participation with four of my works in the exhibition ‘Unter zwischen im Ampelhaus’, two new ones and two works that were created last year in Leipzig.
Friday the 27th of june Gallery Frank Taal opened ‘Figure That’. In this group exhibition the gallery reflects on itself by showing all the artists they represent. For this event I was invited to act as a guest artists within the show. I presented new work in the series ‘Remains/Stolen footage (after AA Bronson)’. Continue Reading →
During the Kunstweekend Charlois Jeroen Bosch curated an exhibition called ‘Half empty’. In an old officebuilding in the south of Rotterdam he brought together a group of artists that create work with a high level of abstractness in it. I was invited to be part of this show.
In honour of the opening of the new Central Station about 6 artists were asked to create a work in public space. These works were to make a connection between the train station and the inner city. This commission resulted in my work ‘Kedeng kedeng oehoe’, at display at the new CitizenM hotel in Rotterdam.
Ruïns was the first exhibition in the new projectspace Donau83 in Berlin. I was invited to make a show together with Aldo van den Broek and initiator Bram Braam. Three dutch artists in Berlin with an aesthetic connection in their work.
