In dust things meet (fire extinguisher with condom)
Fire extinguisher, condom, condom wrapper. Shown at Baracca, Den Haag, Art The Hague and In The Rackroom, Berlin.
Continue Reading →Fire extinguisher, condom, condom wrapper. Shown at Baracca, Den Haag, Art The Hague and In The Rackroom, Berlin.
Continue Reading →Bicycle, handsaw, charcoal powder. Shown at In The Rackroom, ran by Lage Egal, Berlin.
Continue Reading →Branch, spirit level. Works made at the Lavangsnes Wunderkammer Artist in Residence program.
Branch, spirit level. Works made at the Lavangsnes Wunderkammer Artist in Residence program.
Permanent work at the sculpture landscape of Lavangsnes Wunderkammer in Norway.
6 spades covert in dust made from different rocks found at the shore line in the local fjords.
Continue Reading →Found medical archive of the closed down Zitza factory in Zeitz, put in an old cupboard, 2100 hand-made paper sheets made from part of the found medical files, 45 binder mechanisms, a found role of decayed paper and a built-in shelf.
Continue Reading →Solo show at Frank Taal Gallery in Rotterdam, 2017. Sweet nothing is a show that challenges the viewer to a closer look and to form an opinion on that what they see.
photo’s Aad Hoogendoorn
Modern thoughts, broken dreams is a reflection on the relation between the artist and the white wall of the art institutes. Continue Reading →
Traces of labour is a work first presented at Double Standard, a show at Lage Egal together with Ivan Liovik Ebel. The work consists of an edition of 15 t-shirts. The t-shirts have all exactly the same stains that look like stains from paining a wall white.
This installation was build specially for the P/Art 2015 in Hamburg. Dimensions 3 x 3 meter, two meters high and inside a small painting made out of the leftovers of the constructionsite. Continue Reading →
An installation built at the Lasloods in Vlissingen during the project ‘If paradise is half as nice 4’.
Materials: plasterboard, scrap wood, paint, frame, floor cover. Size: 4 x 4 meter. Continue Reading →
From the 6th of august till the 7th of september 2014 I spend my time working in Leipzig. Together with Willem Besselink, Pim Palsgraaf, Daan Botlek, Regina Kelaita and Bram Braam, I used an old empty factory building to make site specific works in order to present this during the ‘Tag für Industrie Kultur Leipzig’. Parallel to this presentation we had a small show at Post-Industriale as a teaser for our factory show as well.
Invited by the organisation of the Ampelhaus in Oranienbaum (Germany) I spent four weeks working at this unique location in the small village close to Dessau. This residency period ended with a participation with four of my works in the exhibition ‘Unter zwischen im Ampelhaus’, two new ones and two works that were created last year in Leipzig.
In honour of the opening of the new Central Station about 6 artists were asked to create a work in public space. These works were to make a connection between the train station and the inner city. This commission resulted in my work ‘Kedeng kedeng oehoe’, at display at the new CitizenM hotel in Rotterdam.
Ruïns was the first exhibition in the new projectspace Donau83 in Berlin. I was invited to make a show together with Aldo van den Broek and initiator Bram Braam. Three dutch artists in Berlin with an aesthetic connection in their work.
During the ‘Verborgen Tuinen’ event, I created a closed hatch at the garden of a housing block in Charlois, Rotterdam. This hatch could be a way to pass to another space, basement, tunnel or whatever. But in the meantime it is also an exit from such a space to the garden. What it really is we will not know, because the hatch appears to be locked tight!
Hole in One is a work made for the Sports summer at the CBK Rotterdam. Six artist initiatives were asked to make a mini-golf hole. Continue Reading →
‘POEN’ en ‘Multiple’ @ Re: Rotterdam, stand WolfArt projectspaces, Rotterdam Continue Reading →
For the ‘Grensloos Kunstverkennen’ art-route at Ijhorst/De Wijk I created the work ‘This is it’. In the garden of a beautiful old farm I used a dead tree-trunk to create a work that fitted the exhibition and its surroundings. The tree was overgrown with ivy, which made it look like a sort of ancient greek pillar. The ‘gallery’ built around the tree was made of wood contributed by a farmer from the area and was completely white from the inside.