Archive Afterlife

Found medical archive of the closed down Zitza factory in Zeitz, put in an old cupboard, 2100 hand-made paper sheets made from part of the found medical files, 45 binder mechanisms, a found role of decayed paper and a built-in shelf.

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Working on IPIHAN#8

A short video portrait of me working on my project at IPIHAN#8 in 2018 in an abandoned warehouse in Altenburg.

Out of control

Mixed media (lackered MDF, compressed garbage from the artist and his friends), 20x20x40cm x 3

A sinners world

Mixed media (garbage, lackered MDF)
205×18,5×18,5 cm,131×18,5×18,5 cm, 75×18,5×18,5 cm, 57×18,5×18,5 cm, 37×18,5×18,5 cm

 

 

Every history tells a different story

A site specifice work at ZQM, Berlin. A 50 cm high stripe sanded all around the room, completed with several white panels.

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Atlas

3 pilars, 20x20x160/20x20x130/20x20x40 cm, mixed media

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One in a million

Site specific installation, golden stone and glass.

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Natural wonders

Site specific installation, plant and irrigation system.

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From scratch

‘From scratch’ is a solo show and the first show to be shown in a new art space in Berlin called In the Rackroom. The show is the follow up on my show ‘Sweet nothing’ earlier this year at the Frank Taal Gallery in Rotterdam.

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Weiss ist eine reine Erfindung.

Review on my show at Blitzkunst. For full article click here.

“Kunst ist immer abhängig vom Raum, in dem sie gezeigt wird. Mit der Installation eines Werkes steht man vor der Herausforderung, die Gegebenheiten des Raumes zu nutzen und sich gleichzeitig dagegen zu behaupten. Ten Bosch hat diese beiden Notwendigkeiten zu einer Einheit verbunden und überlässt dem Betrachterauge die Entscheidung über die Gewichtung zwischen Kunst und Raum.” – Annika von Taube at Blitzkunst.wordpress.de

(photo: Annika von Taube)

Sweet nothing

Solo show at Frank Taal Gallery in Rotterdam, 2017. Sweet nothing is a show that challenges the viewer to a closer look and to form an opinion on that what they see.

photo’s Aad Hoogendoorn

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Natural Outreach

Ivy, 30 meter steel cable, 6 holes

30m x 30cm x 30cm

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Entities (1994, 2012, 1911)

When the Mona Lisa was stolen from the Louvre in 1911, the museum received more visitors then ever before. The same thing happened when ‘The Scream’ was stolen from the National Gallery in Oslo in 1994. The people lined up in front of the empty space that the painting had left behind. Continue Reading →

Energy savers

A series of small frames, each containing a little work made out of tape, paper and paint. The works have a feel of leather over them as if they were skins of an animal that is not there any more. Continue Reading →

Modern thoughts, broken dreams

Modern thoughts, broken dreams is a reflection on the relation between the artist and the white wall of the art institutes. Continue Reading →

Remains/Stolen footage (after AA Bronson #3 and #4)

These works are follow ups of two works from two works that I made in 2014. The works are made with material taken from Witte de With in Rotterdam during the building up of the show of AA Bronson.

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Traces of labour

Traces of labour is a work first presented at Double Standard, a show at Lage Egal together with Ivan Liovik Ebel. The work consists of an edition of 15 t-shirts. The t-shirts have all exactly the same stains that look like stains from paining a wall white.

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Cool Calm Collected @ Galerie Gilla Lörcher

I am pleased to present my first solo show at Galerie Gilla Lörcher in Berlin under the name Cool Calm Collected. The show presents works made during my first two years in Berlin.

The show is on display from March 19 – April 22 2016,  Pohlstraße 73 , 10785 Berlin.

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The white cube remains #2

This installation was build specially for the P/Art 2015 in Hamburg. Dimensions 3 x 3 meter, two meters high and inside a small painting made out of the leftovers of the constructionsite. Continue Reading →

Remains/Stolen footage (After Bram Braam)

A new work in the Remains/Stolen footage series. This time, as a tribute to my friendship with colleague Bram Braam, I used a piece of material that was taken from his studio in Berlin.

Material: wood, frames, paper. Size: 200 x 70 cm Continue Reading →

The whitecube remains #1

An installation built at the Lasloods in Vlissingen during the project ‘If paradise is half as nice 4’.

Materials: plasterboard, scrap wood, paint, frame, floor cover. Size: 4 x 4 meter. Continue Reading →

the Continuum

The continuum is a series of work that form the start of a new research. Until now the series exist out of 3 works: ‘A controversial thought in a continuum’, ‘In search for the continuum’ and ‘Swinging in the continuum’.

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'A controversial thought in a continuum', 2015, wood/paint/chalk, 150x250 cm, €5900'A controversial thought in a continuum', 2015, wood/paint/chalk, 150x250 cm, €5900'Remains/Stolen footage (after Angela Bulloch #2, #3 and #4)', 2012, found footage/frames, 70x70 cm, 53x93 cm, 80x80 cm, €1700/piece, €4600/tryptich'Remains/Stolen footage (after Angela Bulloch #2, #3 and #4)', 2012, found footage/frames, 70x70 cm, 53x93 cm, 80x80 cm, €1700/piece, €4600/tryptich'Remains/Stolen footage (after Erik van Lieshout)', 2013, found footage, 41x70 cm, €950'Remains/Stolen footage (after Qiu Zhijie #3)', 2013, found footage/tape/glass, 34x50 cm (50x70 cm glass), €950'Creating the whitecube #2', 2014, fotoprint in frame, edition 1//1, 55x75 cm, €1100'Eurydice's Mask #2', 2014, paper/tape/frame/felt, 37x43 cm, €650'Holier than thou', 2014, photoprint on dibont, edition 1/3 (+1 ap), 100x150 cm, €2900'Little remains of paradise', 2014, found footage/cardboard/paint, 11x16 cm, €550'Out of the whitecube #2', 2014, found footage/painted metal sheets, 30x102 cm, €1250Three works at 'Reverse Causality' (middle work by Mike Ottink)Overview of 'Revere Causality''Paradise Isle', 2014, plinth/glass/found footage/ceramics, 130x30x30, SOLD'Paradise Isle' (detail)'Remains/Stolen footage (after Qiu Zhijie #1), 2013, found footage/tape/glass, 55x100, €1450'the quality of the blue, the quality of the red (with Erik van Lieshout)' 2015, found footage/wood/paint/chalk, 250x180 cm, €6700'Searching for the continuum', 2015, chalk/paint/wood, 57x125 cm, €2300'Swinging in the continuum', 2015, chalk/paint/wood, 57x125 cm, €2300'Searching for the continuum' (detail)'Swinging in the continuum' (detail)'the quality of the blue, the quality of the red' (detail)'the quality of the blue, the quality of the red' (detail)Wall at 'Reverse causality' with Mike OttinkWall at 'Reverse causality' with Mike Ottink

Reverse causality @ Frank Taal Gallery

Reverse causality is a duo show of me together with Mike Ottink at the Frank Taal Gallery from 20/02/2015 till 28/02/2015. This is an overview of my works at that show. For more information, please contact me or the gallery. Continue Reading →

Appropriating language #3

My ‘Initial Numbers’ where on display at Maniere Noir together with the works of Samantha Font-Sala and Korvin Reich. This series consists of five numbered editions of my initials.

Materials: neon. Size: approx. 100 x 20 cm Continue Reading →

Holier than thou

photo print on dibont, 100×150 cm

The photo is made during the project ‘If paradise is half as nice 3’ and is printed in an edition of three. Price on demand.

Frank Taal Gallery

I am happy to announce that since this year I find myself represented by Frank Taal and Leo de Bie of the Frank Taal Gallery. I’m looking forward to a fruitful collaboration with them and the other artists from the gallery. Continue Reading →

Abstract in Black @ Kreuzberg Pavillon

On the 27th of september the one night show ‘Abstract in Black’ was at display at Kreuzberg Pavillon in Berlin. I was invited to curate this show by invitation of this small, but popular project space.

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Parallel Encounters

2014, 100 x 66 cm

photoprint on aludibont, two photo’s in an edition of 3 Continue Reading →